Home
	Bio/Reviews/News
	Schedule
	Music/Photos
	Contact

"Hot off the Press" - CAMPUS TIMES, Inside Arts, Etc., (official newspaper of the University of La Verne), posted March 28, 2008:

Musicians Get "Hip" at the Kitty / by Victoria Allende, Staff Writer SEE ARTICLE WITH BANNER & COLOR PHOTOS: Adobe Acrobat PDF File

(Photo caption:) The crowd listened to the sounds at the Hip Kitty Jazz and Fondue Club in Claremont on March 20. The group composed of Nina Beck, Andy Cowan trio included bass player Chris Ferrin and Scott Ickes on the drums. They will return to perform at the Hip Kitty on April 1.

(Article:) Andy Cowan and the Nina Beck Trio entertained the crowd at the Hip Kitty Jazz and Fondue Club in Claremont on March 20. Taking the stage from 7:30 p.m. to 11:30 p.m. the band played for the busy café in the downtown area. The diners enjoyed the soothing sounds of the jazz band over drinks and fondue, which kept the audience in good spirits.

This was another successful night for the Hip Kitty as Cowan and the Nina Beck Trio gave a great jazz performance. “I think they are really good,” Chris Needham said. “I think he sounded a lot like Frank Sinatra." Cowan’s smooth voice and great vibe kept the crowd entertained and relaxed as they enjoyed their meals. The night brought out a full moon and between songs Cowan was in good spirits as he continued to make references to the moon.

The new restaurant is known for their nightly jazz music and great fondue, bringing competition to other popular fondue restaurants. The Hip Kitty takes a different and more exciting approach. Every night a different band performs, keeping the location busy and full of positive energy.

The band played well together and made a great debut. However, not everyone was making their Hip Kitty debut that night. Beck, the pianist, is a familiar face around the café. Nancy Tessier, owner of the Hip Kitty, said that Beck plays there every Tuesday for piano night. “It is usually just one person playing,” Tessier said. “She is good.” Beck is so good in fact that Tessier said she takes requests from the crowd and can play almost anything.

Cowan, originally from Philadelphia but now residing in Santa Monica, has been singing at jazz clubs for about 20 years. However, Cowan is not just a jazz singer. He is also a writer who was affected during the writer’s strike. Cowan has written for popular sitcoms, like Seinfeld, and just got finished writing an article on Barack Obama. He also has made appearances on some older popular television shows. “I sang on ‘The Merv Griffin Show,’” Cowan said.

Cowan spoke about a performance he once did in which he was asked to sing songs that he thought Sinatra would have sung if he were to be a star during a different musical era. The comparisons of Cowan to Sinatra have been carried throughout the years giving Cowan a priceless compliment to his performances.

Yet, Cowan does more than deliver a great sound. He also writes and arranges his own music. While Cowan has made many great lifetime accomplishments, he still comes back to the jazz clubs. This was his first time playing at the Hip Kitty but he had heard good things about it from his friend, Beck. And Cowan had a great time performing there. “This is a great place.” Cowan said. “It’s very reciprocal. They give you energy and you give them energy back.”

The Hip Kitty features different bands nearly every night! Visit Hip Kitty's web site with menu, calendar, etc., at www.hipkittyjazz.com.

Victoria Allende can be reached at vallende@ulv.edu.
- - - - - - - -

QUOTES:"

"I really like your playing." -Dini Clark, legendary pianist/vocalist/ composer and mentor to some of the greatest vocalists from the 70's and on up to today. (Compliment received in July, 2008)

"...Your playing makes me think of bubbles being blown and then floating through space - so pretty, light and airy. ...Thanks for... being so gracious with your talent. You're the best!" -Steve Sadd, noted jazz/blues/rock sax man, bassist, vocalist, and leader of a great blues band who is also a busy side man (said at a May, '07 jam session).

"...I listened to our gig at Chris Walden's home the other day. You sounded really good, Nina. Regarding the (musical) 'shapes,' you're 'shapes'-ing up! On another note, your playing between our songs really added continuity." (About a June, '07 gig) -Andy Cowan, award-winning writer/producer/host and veteran of Seinfeld, Third Rock from the Sun, and the Merv Griffin Show as well as professional singer and entertainer (20+ years). A regular contributing writer to the L.A. Times and the Philadelphia Enquirer and steady collaborator with the Times' "Bizarro" series cartoonist, Andy is also a songwriter. He landed a finalist spot in the 2007 Unisong International Contest for his catchy country tune with a traditional feel, "Hitchin' on the Highway of Life"; the song will be featured during ending credits of an upcoming movie.

..."Nina, your music was excellent at my birthday party fundraiser on October 5. I saw someone last evening at an event in Long Beach and the person mentioned the music and how much they enjoyed it. Thanks so much. You may use my name anytime as someone who likes your style." -Betty Karnette, California political figure (about music I provided with Tony Presti on drums, 10/06).

..."With so much jazz mistaking excess for invention and hyperactivity for dynamism, Nina Beck and her groups display genuine heart with no bells and whistles. Nina is a pianist/singer worthy of much more attention." -Roger Crane, Jazz writer for such publications as Jazz Improv, All About Jazz, and L.A. Jazz Scene, Oct. 11, '05.

"Nina...I was very happy with your performance and feel we got more than what I expected. I think you did a great job...your music was great...and very well done." -CathyLyn Rossi, re: an "All Key'd Up" trio performance for a high school reunion at the Hyatt Regency Long Beach, Nov. '04.

Many thanks for all you and your group did to help make our anniversary party perfect...If anyone ever asks about a band I would highly recommend you." -Jan Hyman, re: an "All Key'd Up" quartet performance for her and her husband Ed's 50th wedding anniversary/renewal of vows celebration at the Peninsula Hotel in Beverly Hills, August '04.

(11/3/07 - I WILL pare down the below, very soon...I promise!...)

NINA BECK (BMI) has been playing piano since the age of five, and has been a professional performer around Southern California for over 23 years. An accomplished musician, Nina performs for a variety of functions (dances, civic and corporate functions, birthdays, anniv-ersaries, weddings, etc.), with other working bands (duos, trios, quartets or quintets, and big bands) and leading her own "All Key'd Up" groups (see Schedule). In 2003 and 2004, Nina often worked at the Palos Verdes Golf Club with reed man Kermit Welch's Trio. Nina's "All Key'd Up" groups worked steadily at the Long Beach Yacht Club in 2003-04 and at the Money Tree from 2004-05; in Aug. '05 she had a weekly gig at the Marina City Club with Jessica Taylor of The Platters. in Sept. '06 she headlined at Cavallino Ristorante in Huntington Beach with bassist Bill Markus; in Oct. '06, she was featured at Metlox Courtyard in Manhattan Beach, with bassist Richard Simon. She appeared periodically at Jax Bar & Grill in Glendale as sub for Alexandra Caselli, as well as (as of May, 2008) for Marty Harris, another A-list pianist. Twice in both '07 and '08, her trio appeared at The Four Olives in Long Beach, joined by great players. Her groups had nice casuals in '07 including private parties and monthly stints at Hip Kitty in Claremont, where she continues to perform regularly, since May '07 (SEE BELOW).

Nina provides solo background music on piano including left-hand bass, with or without vocals. She has headlined and/or performed at Hilton, Hyatt, Marriott, Radisson, Red Lion, and Sheraton hotel chains; many restaurants; private yacht clubs; public and private social and country clubs; civic and community centers; tourist sites such as the Queen Mary and L.A. Science Center; and countless private homes. Major venues where Nina has performed and/or headlined include 66 California, Bistro 400 (one year - mid-'06 to '07), Cabrini's, Cafe' 322, Cavallino, Colombo's, Cousins, Fitzgerald's-Hilton Woodland Hills, The Four Olives, Hip Kitty (ongoing), Jax, the Lighthouse, Lunaria, Maggiano's at the Grove, The Money Tree, Mr. B, Sangria, Schatzi on Main, and Spazio.

Nina's credits include jazz and blues legendary vocalist Ernie Andrews (with the Dennis Kaye Band at Pasadena City College in '04), as well as such prominent artists on the jazz scene as:

- Vocalists Ginger Berglund (late '07, and currently in '08), Andy Cowan (steadily since '04), Gene Diamond (Spazio, '05), Maria Jacobs and Tera Johnson (Money Tree, '05 and '06), Joy Rushing ('06), Cathy Segal-Garcia (Sportsmen's Lodge jam session, '05), Jimmy Spencer (Colombo's, '05), Jessica Taylor ('05), and Perlene Thurston ('07). All these vocalists have stellar credits and experience; e.g., Ginger is a seasoned pro with a new CD recorded with noted trombonist/singer/arranger Scott Whitfield; Andy is also an award-winning writer (Seinfeld, Cheers, Third Rock From the Sun, etc.)/producer/director/TV and radio show host; Cathy is a veteran recording artist and educator/clinician; Maria, Tera, Joy, Perlene, Gene Diamond, & Jimmy Spencer are noted performance veterans; and Jessica is a long-standing member of The Platters groups.

- - Guitarists Doug MacDonald, Jacques Lesure, Jerry Case, and Edwing (in my efforts to pare down this page, references to their credits and achievements, as well as those of the musicians that follow, were removed; most can be located online with a Google or Yahoo! search!);

- Saxists Pat Chartrand, Bob Efford, Dale Fielder, Dave Goldberg, Wyatt Haupt, Jacob Johnston, Tom Margitan, Rory Mazella, Jonah Minton, Matt Otto, Kim Richmond, John Setar, Edmund Velasco, CeCe Worrall-Rubin, Mark Yacoubian, and the late Harold Bennett;

- Trumpeters Barry Trop (aka Barry Anthony), Stuart Aptakar, Hershey Bell, Jack Coan, John Fick, Woody James, Micky McMahon, and Roger McCoy (also a trombonist and singer);

- Trombonist/arranger/bandleader/composer/singer/recording artist Scott Whitfield - in 10/07 & a few times in '08 so far with the Tracy Wells Big Swing Band;

- Bassists Leslie Baker, Mike Flick, Henry 'Skipper' Franklin, Jotty Johnson, Sherry Luchette, Bill Markus, Herb Mickman, Lou Shoch, Richard Simon, Bill Von Ravensberg, Ira Wesley, and Wendell Williams;

- Drummers Keita Akutsu, Mike Clark, Joe Correro, Donald Dean, Chico Fernandez, Denise Fraser, Scott Ickes, Clarence Johnston, Denis LaPron, Jack LeCompte, Frank Marsico, Maria Martinez, Ralph Penland, Evan Stone, Paul Tavenner, Johnny Vana, and Bobby White.

...Nina performed with Buddy Ebsen, "The Wizard of Oz" casting director's original choice for the Tin Man, circa 1989 at the Long Beach Yacht Club (this was during her first 2-year stint there). Her flute playing has included sitting in with name artists Ray Pizzi, Jamie Findlay, Mark Massey, and Libbie Jo Snyder over the past 14 years or so.

Nina plays nearly 800 songs from memory in any key, and specializes in Great American Songbook standards and show tunes, but also plays straight-ahead jazz, Dixieland, Latin and other ethnic music, mainstream country, rock 'n' roll, R&B, and easy listening including soft rock/pop, movie and TV themes. She provides accompaniment for other working singers, including proficient sight-reading and transposing. Nina is a member of Professional Musicians Local 47 (affil. Aug. '03). In recent years, Nina's piano playing and singing style have been likened to world-renowned artists Diana Krall, Kenny Barron, and Marian MacPartland. Favorite influences include Sonny Clark, Bill Evans, Tommy Flanagan, Gene Harris, Hampton Hawes, Hank Jones, and Wynton Kelly. Two other favorites, in the crop of younger piano virtuosi, are Tamir Hendelman and Gerald Clayton (the latter accompanied Nina on a song at one of noted vocalist Cathy Segal-Garcia's vocal workshops at her home, led by noted jazz and world music vocalist Gretchen Parlato, in Aug. '05).

A published songwriter and member of BMI, Nina has a catalog of well-crafted original songs in many genres including adult contemporary, country, blues, swing, jazz, retro Latin, R&B (ballads), and movie themes. Several are arranged for big band and have been performed. Her first published song, the ballad "No One Touches Me Like You Do," was released in July '98 by country recording artist Dainel of Michigan, on her debut CD, "No Doubt About It." It was released the following year in Austria on a compilation CD. Another, a country rock song signed by the same publisher, Betty Jane Music Publishing Co. (BMI) and entitled "Loving Me Up While You're Letting Me Down," was released in July '03 by the same artist, Dainel Jackson, on her second CD, "Better Things Than You," on the C.E.R. Country Records label. Nina's first published song, as above, was also re-released on this CD. Her increased credibility led to collaborations with two other BMI publishers, Miles Grayson of Miles Ahead Publishing, and Bert Swanson of Music in the Right Keys Publishing, on their original material as well as her own lyrics and music. Two country songs co-written with Bert Swanson and demo'd in late '03 are being pitched to Nashville artists and were submitted to "Song Domain" song pitching service in Mesa, Arizona which selected one for its "Songbank" honor. Time constraints restrict the level of songwriting effort that can be made, however.

Still, in December '03, Nina received a Certificate of Achievement - top 10% of 4500 entries worldwide - for her country lyric entry "Driver's Seat," from the Unisong International Contest. The lyric has music, and demo-ing is planned; other songs are always in work. A collaboration in late '04 with noted pianist and composer Ben Di Tosti yielded a lively tune that upon further honing and then demo'ing could lead to subsequent pitching to country artists. Nina submitted 25 new entries to the 2004 Unisong International Contest, and two entries, a jingle theme and a country ballad "spin song," were semi-finalists.

An eight-year collaboration with Joe Barile, noted drummer/singer/ guitarist/composer, has yielded 11 unique jazz songs to date (as of 08/08). Music for all - Joe Barile; lyrics by Nina. Demos of five were finished in 2007, with the addition of a bass track on one tune by a prominent performing pro who writes and records jingles for a living, Warren Giancaterino. These recordings will be pitched to individual artists, producers, record companies as time permits. The song "Divine Love" is now on three internet radio stations' playlists - See 'blog' for more info! In Aug. '08, Nina & Joe recorded vocal tracks on six songs, over instrumental tracks they had recorded in the spring. After some flute and organ solo tracks are laid down and mixes done, who knows?...

Nina's plans for making her own full-length CD with six covers and eight originals, one of which was collaborated on by Miles Grayson, continue. She is "whittling away," little by little, at charts/arrangements - over 1/2 are done as of August, '08. And Nina's original Dixieland song, "Just Desserts," was debuted live by "The Belles of Bourbon Street" Dixieland Band with vocalist/leader Kati Roberts and Nina on piano, at the Valley Jazz Club on 3/5/06 to a crowd of enthusiastic classic jazz fans.

A Los Angeles resident since 1980, Nina is a high honors graduate of New York's' High School of Music and Art. Nina hold a BA, Magna Cum Laude in Music from CCNY, where she studied in the late 70's with noted jazz pianist and recording artist Don Friedman (www.donfriedman.net - check him out!), and very significantly, with the late John Lewis of the Modern Jazz Quartet (Nina's bio by Bob Agnew, P.12, Oct. 2005 L.A. Jazz Scene, expounds). She has studied with world-renowned pianist Milcho Leviev in L.A., and with acclaimed jazz pianist/recording artist/ educator Terry Trotter in March '07. Nina studied songwriting privately with world-renowned late Jack Segal, songwriter who wrote "Scarlet Ribbons" & "My Funny Valentine," and took workshops with prominent singer/songwriter/recording artist Phil Swann, at the Songwriters Guild of America of which she is a regular member. A possessor of absolute pitch, Nina can identify all musical tones and chords in "real time," enabling her to play simultaneously with many songs she has never heard, transpose to any key easily, and write quick chord charts.

From April '05 to June '06, Nina was the pianist and backup singer in an all-girl 7-piece Dixieland act formed in '05, the "Belles of Bourbon Street." She wrote a fun song for the band, in particular for Kati, leader/singer/banjo player - "Just Desserts," which was performed often. The Belles had a monthly Friday evening gig at Mr. B in Burbank through '06 that Nina facilitated; they are no longer at Mr. B, but perform at various events and parties (presumably!). In March '06, thanks again to Nina's efforts, they were feature band at the renowned Valley Jazz Club monthly jam session event. Due to many differences in views and overall approaches, as well as time constraints, Nina parted ways with the Belles in June, '06; the last gig Nina did as a member of the Belles group was on 5/28/06 at Rico Coffee in La Verne (closed in 2008, too bad!).

- - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - -

...Nina Beck's piano and vocal demo CD, available at her gigs, features six songs in a variety of styles and instrumentation combinations - two, vocal recordings by Tera Johnson - who has gained prominence around the U.S. with her impressive skills and CDs - along with talentd and noted bassist Sherry Luchette; one, a live vocal by Nina (also on piano) with the Kermit Welch Trio (Kermit, clarinet; Martin Rocca, bass) of "East of the Sun," that won her airtime on Fabulous 690 Radio's "Fabulous Finds" show; one, a duo with flutist Garrett King, performed live at 66 California; plus two jazz originals sung by Nina and written and recorded with friend Joe Barile, drummer/singer/songwriter (one, a positive message song with a swing tempo; the other, a cheerful Bossa Nova which features Nina's flute work). Please contact Nina at (310) 698-2325 or at jazzlady1028@yahoo.com for a copy, along with a complete press kit as well upon request, that includes bio, credits and venues performed, resume, song lists, reviews, flyers, and press clips. (Still not sure how a 'downloadable media kit' is created, although I've seen this on many other artist sites - I might need help with that "puppy"!) A rate sheet is available for private engagements.

Nina's current schedule can be seen on her "Schedule" page! Previously, some info was listed on this page - not necessary here! Anyway, thanks for reading OR skimming this (hopefully, for your sake, the latter)! -

Nina (YES, many folks say I'm verbose. Why are you not surprised, ha!)

[Note: I created a downloadable, and readable, 'gif' file recently, of my PowerPoint bio page with photo (I don't have Acrobat writer at home) - it's shorter than the above, luckily! - and I'll get help to put the link here so it could be part of that 'downloadable media kit' I know I ought to have here. Thing is, info changes slightly on it, rather frequently.]

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

'REVIEWS' FOLLOW... ('Review-like' comments, actually)

o TOM MARGITAN's credits are many including Jack Jones, Anne Richards, Stan Kenton, Grover Washington, Jr., and many noted musicians currently based in and around L.A.: Llew Matthews, Mark Massey, Luther Hughes, the late Andy Simpkins, Roy McCurdy, Kendall Kay, etc. Tom has toured the U.S., Puerto Rico, The Virgin Islands, and the Far East. He added this in an e-mail announcement on 7/14/06 about his upcoming Bistro 400 performance: "Nina and I have worked together and I can tell you that the girl is really talented. She's an accomplished pianist, fine singer, and even plays a 'mean' flute. Catch her next Thursday at Bistro 400!"

o CABRINI SCHNEIDER is owner and founder of Cabrini's Jazz Alley, noted jazz club (closed but relocating) that was frequented by such talented and prominent artists as bassist Ryan Cross, saxophonist Dale Fielder, vocalist Sandra Booker, and guitarist Jacques Lesure. Cabrini says (1/26/06): "Nina Beck, Nina Beck, Nina Beck - the ONLY white musician I know who can play with black people!!!..." She told me to put that in my website, so I did!

o JOHN GILBERT, aka "Johnny Jazz," has been a Staff Writer for Sony/ Columbia Records, Euro Club De Jazz, All About Jazz, and JazzReview.com Magazine for many years. Visit California Coast Jazz At: http://community-2.webtv.net/johnnyjazz/johnnyjazzsjazzpage. A former professional jazz drummer, John knows all the jazz goings-on in town and is a well-qualified jazz critic. John wrote (Jan., '05): "Nina Beck is a polished jazz pianist with absolute pitch. She's a solid performer who knows all the tunes and plays them superbly."

o JIMMY SPENCER, jazz and blues vocalist extraordinaire, is a regular performer at Mr. B, Charlie O's, and Spazio, and makes appearances in Salt Lake City and other locales with his backing group, the Karen Hernandez Trio featuring Jack LeCompte and Lou Shoch, and his long list of credits includes many other prominent artists. Jimmy stated (Sept., '04): It's nice to hear another talented female pianist. There are not that many of them out there, but you are one of them!...I really like your playing." I subbed for Karen Hernandez in June, '05 for a duo gig with Jimmy at Colombo's in Eagle Rock; Karen has called me to sub on other occasions as well.

o CATHY SEGAL-GARCIA has a long history as a jazz vocalist, recording artist, composer, educator, and leader of countless vocal workshops and special musical events. A true professional dedicated to furthering her craft and especially, the talents of others, Cathy's career has taken her all over the world, with many of the world's all-time jazz greats including Kei Akagi, David Benoit, Shelly Berg, Billy Childs, Peter Erskine, Marc Johnson, Diana Krall, Don Menza, Sam Most, and John Pisano. Cathy wrote (Jan., '05): "...tell them (numerous pro vocalists who headline in L.A.'s major jazz venues) I thought you'd dig getting together...see what they say! Good luck, you're playing great!" Visit Cathy at www.cathysegalgarcia.com.

o MARTY HARRIS, veteran pianist and recording artist, is a proven pro many times over whose credits include a long list of music luminaries. A well-rounded pianist, Marty has been a valued accompanist for many singers who are 'household names' including Anita O'Day and Diana Ross. He has played with major big bands, and performs in the Sweet and Hot Jazz Festival and other jazz festivals. He continues to be "first-call" and can often be heard with such notables as Gil Bernal, Doug MacDonald, Richard Simon, etc. at major venues all over. Marty stated (Jan., '05): "You're a very good player, and you really know how to swing. I can't say that about every pianist; but you can definitely swing."

- - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

NINA'S MUSIC 'BLOG'...(mostly just for me - but also for anyone else who would actually take a few minutes to peruse this! (?!)...

(8/30/08) Well - since mid-June, 2008, I've managed to get rid of 22 lbs. - never to return, I'm going to see to that - plus more, hopefully another 20 to 25 - or at least, 19, for 41 lbs. total. My determination - sheer strength of will, if you may - is what has enabled me to do this, against the grain of my body's tendency. Of course it's not easy - particularly with a musician's schedule. For a few of my tips, e-mail me!!

(8/1/08) Last evening, 7/31/08, I attended an interesting jazz music event sponsored by Instrumental Women that I learned of through noted sax player/flutist Carol Chaikin, at the Armory in Pasadena. It was a preliminary concert and short jam session ahead of a big performance event in late August at the Ford Theatre (which is near the Hollywood Bowl) that will honor pianist extraordinaire Karen Hernandez. The band consisted of leader Carol on sax, Jane Getz on piano, Sherry Luchette on bass, and Suzanne Morrisette on drums - all stellar players. I hadn't seen Sherry for awhile and it was a surprise to run into her there!...I'm trying to see if I can get affiliated with this organization in some way, that's why I went. There may be a chance, since I let the gal in charge know I also learned of the group thru' prominent bassist/educator Nedra Wheeler, who has heard me play (at Derrick's, in L.A.). I got there too late to sit in; but Carol had said she'd like to work with me sometime! I believe that getting to be one of the performers for events held by this organization would be quite an accomplishment - no musician or vocalist I've met or worked with has ever mentioned or suggested it to me, so I'll try to carve my own path and see.

(5/8/08) Last Thursday, 5/1/08, after my Jax happy hour gig, I met terrific drummer Dick Weller, and we got to chat a bit. I hope to be able to hire him on a gig in the future. Turns out he lives in my general area of town! I had stayed to have dinner and hear Jack Sheldon's great band, with all notables. Tonight after my happy hour gig (2nd time to sub for Marty Harris), I stayed again, and after chatting a bit with Dick and then dining while listening to a set, I got to meet great pianist Joe Bagg and gave him a card; who knows, maybe there'll be some new opportunities.

(4/12/08) Sadly, I just learned today that fine drummer and great person Tim Hafer passed away. After a long fight, he succumed to complications from lung disease. He'll be sorely missed by all who knew him, including me. The gigs I played with him in '06-'07 were fun. (5/8/08) I attended the memorial in Santa Monica, and it was very well-attended - he touched many folks' lives. I met his dad, renowned reed man Dick Hafer. Jennifer Leitham, Gina Saputo, and other notables were there, too.

(1/13/08) Two versions of the original romantic Bossa Nova, Divine Love, composed with Joe Barile (referred to above), are now on THREE internet radio stations!! After my husband posted them for me on a new profile on Independent Artists Company, www.iacmusic.com (thanks, IAC!), in Dec. '07, they were picked up very quickly: the vocal version by Ray's New Songs Station, www.iacmusic.com/stations/KIAC4341.htm; and the instrumental version by a European station, www.iacmusic.com/stations/KIAC4364.htm. Then in early Jan. '08, the instrumental version was also added to another internet radio station, www.iacmusic.com/stations/KIAC5126.htm! Please check out any or all of these sites and listen - I know you will love Divine Love as we do.

(10/27/07) I got to work as a sub for Karen Hernandez, with a stellar singer named Perlene Thurston (duo). What an amazing voice! This was for a surprise birthday party in my neck of the woods. A fine time was had by all even though a few guests were quite late since the locale was not so easy to find for non-South Bay-ers!...

(10/10/07) A nice treat - on Mon., 10/8/07, with the terrific Tracy Wells Big Band at Alpine Village in Torrance, I got to meet and play with the very noted Scott Whitfield - super player and person! Scott sang duets with his partner, fine singer Ginger Berglund, using his great arrangements! A "repeat" of this was Jan., '08 and again was so enjoyable. (Addendum: I've been performing with this band since that date!)

(8/2/07) I gave a blood sample as part of an ongoing reserach study I've been a participant in for seven years (last time was actually 6 years ago, though!). This study is called "The Genetics of Perfect Pitch," and it is headed up by Dr. Peter Gregorson of North Shore University in Long Island. Tho' I don't have siblings, they still selected me to participate after I passed the test. How I learned of the study, I don't remember - but anyway, it is interesting, and I will get paid!...

(7/27/07) Jacob Johnston, whose trio plays every Fri. and Mon. at La Louisianne in Ladera Heights, invited me to play with him every other Friday on my regular days off from my daytime job as a secretary, if I'm available. Altho' I haven't always been able to do them, the ones I do are very enjoyable.

(6/2/07) I met and got acquainted with a talented and soulful jazz and blues singer, Frances Coche', today, referred by great drummer Tim Hafer. She had been working with excellent pianist Astrid Cowan, but Astrid had become less available due to some other engagements. Frances, who lives locally, and I rehearsed several times in June and early July, and did a quartet gig that included Tim along with Ken Sherman and Mike Flick, on July 13th. (Added 12/07:) Later in July, Frances felt we were not a good "fit," and to my knowledge, she has worked with Astrid again as well as with guitarists and other pianists.

(5/5/07) I gave my first jazz piano lesson in many years to a lady in the L.A. area who is already a pianist and music educator - she works with young children and introduces them to many of classics of the American Songbook. She was referred to me by terrific sax man/flutist/bandleader Jacob Johnston, who felt I could help with enhancements for her accompanying style including left hand bass (keyboard bass), right hand chording, and the use of chord inversions. The first lesson was Fri., 5/4 and seemed to go quite well. She has put future lessons on hold, however.

(3/24/07) I took a GREAT lesson with Terry Trotter, noted pianist, composer and recording artist who toured with Natalie Cole for many years. He gave me some wonderful "tips of the trade" in the way of scales and chords - I'm excited about the things I have to work on that I feel will make me a better player!...

(3/3/07) I got word Friday, 3/2, that the Belles of Bourbon Street only had a few members available to perform on 3/18 for the Channel Cities Jazz Club, a gig that was booked by yours truly on behalf of the band, back in Fall, 2006! There was approximately six months to let me know it would not or might not work out, and I would have been able to avoid the booker, Dawn Russum, from listing the Belles in her newsletter and enable her to not be rushed if she had to get a replacement group. I chose to ignore the "writing on the wall" re: differing communication styles, and thought I would get word well in advance regarding conflicts, since I had informed band members that a newsletter would get finalized in late February. But I didn't get the communication I needed. Believing I could book a band I'm no longer with and have it work out was a "pipe dream" - but I've been advised to think more positively. Instead, I was put in the (what I thought was) awkward position of having to give the booker an 11th-hour piece of news. I thought I was the one convincing the two available Belles to still come and perform with myself and the Dixieland jammers. But no! Because apparently, the leader used her decision to come play to her full advantage - she had prior dealings with Dawn Russom and Ed Stauss, and arranged to meet with Ed right in front of me while there, to discuss a great April, '07 gig he had given the Belles and even listed in the Newsletter!! Dawn, who had shown disappointment with the Belles to me, actually helped them with the listing!! Had I known, I'd have let them bail out of the Channel Cities Jazz Club gig. Talk about being "duped"! - I couldn't believe what a "coup" they all pulled, when I was the one who got them "on the giggin map" in the first place...They were very clever!.

(2/19/07) I just got a nice e-mail saying that after review by Staff, my country/adult contemporary crossover song "A Heart'll Tell," composed with publisher Bert Swanson, was nominated into song pitching service "Song Domain"'s "Song Bank" for April, 2007. Please see news for 2/3/07 for how Song Bank works.

(2/17/07) My friend, cellist Harriet Katz, whom I met via Local 47, is working on the score two of my original movie theme works, "To a Child," and "How Heaven Shall Be," as one piece linked together, for an approximately 30-pce. orchestra. Once completed, we'll have it tried by an Orange County community orchestra led by my friend and co-worker, Robert Sudakow, who is the orchestra's leader and cellist. My goal is its eventual performance! With Harriet's help, I believe this can be achieved. And great news for Harriet - her first original work for orchestra, a Jewish suite, was chosen for publication by a NYC firm which is the largest publisher of Jewish works in the country. Hopefully that success could rub off for my composition(s).

(2/3/07) In late Jan. 2007, I got great news that "Groovin' on Love," version w/ my vocal, one of the five 'future standard' songs composed & recorded with Joe Barile (BMI), was nominated into song pitching service "Song Domain"'s "Song Bank" for March '07. This means it will get continually reviewed by their Staff against suitable opportunities for recording and/or placement in movies or other settings. In this way, it has a better chance. The Nashville Songwriters Guild of America office plans to put an article about this in its March Newsletter.

(9/30/06) The five "future standard" original songs co-written with Joe Barile (BMI), singer, drummer, guitarist and fine composer, over the course of the last eight (whew!) years, are produced and mixed (2nd mix a "charm"!); I'm very pleased (we've written more, meanwhile, to be recorded soon). Joe's son, Joe Barile Jr., provided the recording studio and the engineering, at Angel's Gate, San Pedro. The renditions include a male and female vocal version of each, a vibes lead version of all but one, a "scat" keyboard setting version of one (see above - "Groovin' on Love"), and a pan flute version of one - fifteen great cuts in all! There are two swing tunes (one a positive-message song), a jazz waltz, a warm ballad with a slow Bolero feel, and a cheerful Bossa. My plan is to create a CD with all the selections (the order will be a big decision!), and affiliate with CD Baby to begin selling it. With my day job and other time commitments, it won't happen immediately, but hopefully by sometime in 2007.

(8/8/06) I was excited to get a booking as headliner at Cavallino Ristorante and Jazz Bar for Tues., 9/26/06 eve. - a duo with well-known bassist Bill Markus, with whom I never worked. I've sat in many times at The Sportsman's Lodge and Steamers where he works steadily, so in effect I've played some songs with him.

(6/30/06) As of 6/1/06, I'm no longer with the "Belles of Bourbon Street" Dixieland band, but it is for the best, and the "parting of the ways" was cordial enough. One big factor was that for a long time I was aware that, not surprisingly, I was not "on the same page" with the other Belles (or vice-versa) - my goals and approach were very different from theirs, yet the rest of them were "in synch." Musically, we seemed to gel, but there were plenty of challenges, and some of them were just learning the Dixieland style, requiring lots of rehearsals. The time spent and the expenses far outweighed the benefits and the income, for me. I was giving "blood, sweat and tears" creating flyers and other documents, often working on promotion such as e-mailing, mailing, and making phone calls to help get the band better known. I uncovered many leads that I passed on to several Belles, and while they appreciated my efforts and talents to a degree, the time I spent was "over the top" and also, many leads I offered weren't pursued. They do have a steady monthly gig at Mr. B in Burbank for which I initiated the audition in Fall '05 (and which led to the Valley Jazz Club), and are still appearing there (I heard that gig ended, in early 2007 or so). I realized it was too much for me if I wanted to put time into my CD project and more "All Key'd Up" and solo gigs. I enjoyed my stint with the unique group for what it was, but it had more than "run its course."

(5/11/06) Having recently joined the jazz rehearsal (and about to be performing) group "The Jane Project," composed of numerous jazz 'cats' who all possess a good blend of playing skills and a dedication to the art and craft of jazz, I'm performing in a 7-pce. combo (piano, bass, drums, guitar, 2 horns, and vocalist) at a fairly new coffeehouse in downtown Pasadena just east of Arroyo Parkway on Wednesdays, May 17th and 24th, for starters. Details about the venue, Caffee 5060, at www.myspace/caffee5060, can be found on my Schedule page, and we are listed as performers on their page - I believe my site is being put as a link there as well. This year has found me steering more toward the goal of improving my skills in order to make myself a more interesting jazz pianist, as well as writing detailed arrangements for my (eventual!!) CD. I'm even doing some small recording sessions on vocals and piano for others, whom I've located on Criag's list - fun gigs; excellent practice for my future recording effort.

(4/28/06) The "Belles of Bourbon Street" band got to take part in a national Nike / iPod commercial as one of about 20 bands selected from around the L.A. area! Decked out in costume, we played and sang outside for awhile beforehand both as a group and along with some other excellent groups of different genres (including young male twins from Mississippi who sang and played the "geetar" like crazy!!), while we waited till it was time for us to be filmed. (First, we had to be 'approved' for costume and overall appearance as a group.) Hoping that this gets to television - if so, hopefully you'll see us on TV later on this year!...(Update, 4/12/08, almost two years later: I haven't seen it on TV - maybe it 'flopped'?!?!)

(2/28/06) As of 2/26, I am the accompanist (for any upcoming gigs) for one of my very favorite, and in my opinion one of the most talented song stylists - jazz/blues vocalist James Geralden. Also an actor with numerous screen credits and running commercials, James' lyric baritone voice can't help but 'pull you in' with its warmth and soulfulness combined with a rich and powerful timbre. Is your favorite artist in this style Joe Williams? James Ingram? Lou Rawls? Nat King Cole? If any or all, then James is the man you want to hear and see!...When you hear his first note, you'll know what I mean. A performance date is coming up Sun., 11/12/06 - it is a birthday bash for James and his lady, Marilyn, at the Industry Cafe' in Culver City. To learn more about James including his new single, please visit his site, www.jamesgeralden.com. Update: This collaboration continued for a short while; but other projects came up for James such as his CD project, for which he used Eddy Oliveri; so we haven't worked together in a long time.

(2/26/06 - revised 10/06) A performance opportunity at Khoury's Restaurant in Long Beach gave me a chance to hire prominent artist Tom Margitan on saxes and flute - glad Tom agreed to perform with us as featured artist along with Andy Cowan, leader and featured vocalist. Keita Akutsu joined us on drums! This was on Sun., March 12th, '06, 5-9 p.m. Khoury's features high-quality Continental cuisine at reasonable prices, and a great view of the water. Full bar, free parking, dance floor, and music entertainment some eves. Andy's and my performance agreement dictated trying to bring in as many guests as we we were able. We had about 15 fans, and it was a nice evening there.

(2/9/06) I completed the chart (lyrics and music) for a great Dixieland/novelty song I wrote for the Belles of Bourbon Street - entitled "Just Desserts." The music presented itself very strongly to me in my sleep in late January - and the lyrics came to me mostly the next day and the following week. The bandleader, Kati, really enjoys the song, and sang it at the Valley Jazz Club performance on March 5th along with accompaniment from the entire band. Having my original song performed for this event was exciting and fun - AND it got featured prominently in Harvey Barkan's fine review, in the April '06 L.A. Jazz Scene!!

(1/23/06) The week I spent in NYC was great, visiting and spending time with Mom and other relatives (late 1/1 to mid 1/8/06). Not that cold, either!...I took my two teen daughters, the younger of whom turned 15 on Jan. 6th. We went ice-skating at Rockefeller Plaza for the occasion - by going to the very early session we avoided the crowd - excellent choice, as there were only a few skaters on the ice! My 19-yr.-old had traveled to NYC with her girlfriend last summer, so she was already used to making her way around town, and did so several times with a New York friend, as well a couple of times as with her sister, enjoying the city's shopping the way teen girls know how to do. As for me, in keeping with my jazz passion, I was thrilled to get to sit in (I pre-arranged it via a call from L.A.) and play a swing tune at 'Smoke' Jazz Club on 106th & Bwy., on 1/5/06, for their early Thursday jam session - with drummer "Renaud" and his trio - they were phenomenal even though they were just the opening band for the George Coleman Quintet, which was the feature band that evening. Then, on Fri. 1/6 early eve., I caught bi-coastal vocalist Gretchen Parlato at 55 Bar in Greenwich Village - with Lionel Loueke, guitar and Alan Hampton, bass. What an incredibly gifted group, performing a unique set of obscure Brazilian and West African song selections, all sung in native tongues!...

(11/1/05) It was great to have been part of the 'Fabulous Finds' contest on Fabulous 690 AM radio on Sunday eve., 10/9/05 and to be told by everyone who voted for me that my vocal performance (of "East of the Sun" by Brooks Bowman, featuring Kermit Welch on clarinet and Martin Rocca on bass with myself on piano, as recorded live by fine engineer Russ Jones), was the best of the three entries. Many people tried to vote for me, but missed the show or that part of the show that my vocal was aired on and thought they could just go online and find my name, partly because I had told people so. The gal from the station who called on the phone just said, after telling me my CD was selected, "Tell your friends to go online and vote for you!" But if you didn't catch the contestant numbers by hearing them on the radio (I was Contestant No. 3, as it turned out, announced before and after the song, which came on at ~7:40 p.m.), you couldn't vote! A tough scenario if you were "green," as I was - as the Wizard of Oz said to Dorothy toward the end of her adventure about the balloon, "I don't know how it works!" - But it was a fun experience, and I have two nice recordings of the show - one by my daughters, and one (surprisingly) by colleague Tony Giaimo, reed man with the Rhythm Kings Bands, who presented it on a subsequent gig (so I sent one off to my mom).

I stopped by the Westin LAX 10/25 where the monthly competition was held but got there later than planned; however I did learn that it was the other lady, Ashley First, not the man, who won for that week - because singer colleague and friend Peggie Perkins, who was a judge, told me that all four of the October contestants (the weekly winners) were women! Ashley had sung 'Blue Moon,' but in her entry she didn't sing the bridge!! (??) Too bad the station went off the air shortly after; I'd have submitted another entry. Choosing songs for my eventual CD is the next project I've begun, and I've chosen about half, two of which are my originals - at least that's a start. They'll all need arranging and charting...whoa...I have a day job (secretary)!...

ALSO...My bio as written by prominent writer/reviewer Bob Agnew (now, alas, the late Bob Agnew, as of late 2007) was published in the October, 2005 issue of the L.A. Jazz Scene, in the 'Players/ Jazzlines' section (Pg. 12, right-hand column). Bob mentions my experiences from attending Music and Art High School in NYC, to participating in a college class at CCNY with the renowned late John Lewis of the Modern Jazz Quartet, to balancing a life in L.A. that involves holding down a good day job as a secretary, finding some time for my two beloved daughters (altho' they are now 21 and 17 and busy!), and striving toward higher musical goals. Since it's the only published bio I have, I value it greatly. I've tried to cut my own bio down, but it's still too long. Got to keep "chippin'" away at it!...Best to all reading this, & thx...

Nina

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -